CHRISTIAN DIOR
The show was divided into eight groups, hopping not decades but centuries—for example, from the Marie Antoinette-inspired pannier silhouettes of the opening to astronauts' jumpsuits, back to embroidered court jackets and forward again to twenties volumes. Models from each grouping emerged onto the circular set, a launching pad like something out of a sci-fi flick, with curved walls covered in orchids by the thousands.
Simons' real feat was just how modern it all looked despite its historicism. He achieved that through lightness.
True luxury is spending five or six figures and wearing something not once or twice, but incorporating it into your daily wardrobe.
The show was divided into eight groups, hopping not decades but centuries—for example, from the Marie Antoinette-inspired pannier silhouettes of the opening to astronauts' jumpsuits, back to embroidered court jackets and forward again to twenties volumes. Models from each grouping emerged onto the circular set, a launching pad like something out of a sci-fi flick, with curved walls covered in orchids by the thousands.
Watercolor and color pencils with digital editing
Simons' real feat was just how modern it all looked despite its historicism. He achieved that through lightness.
True luxury is spending five or six figures and wearing something not once or twice, but incorporating it into your daily wardrobe.
Ink and watercolor on paper
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